Among various Hong Kong directors who constructed Hong Kong allegory through exotic stories, Tsui Hark is an important case that should not be disregarded.
不少香港导演借异地故事构作香港寓言,其中徐克尤其值得重视。
Use any two films of Tsui Hark to illustrate his personal style and the allegorical messages implied in them.
请以徐克两部电影,来说明他的个人风格以及所蕴含的寓意。
Peking Opera Blues: my absolute favorite movie (not just my favorite Hong Kong, Tsui Hark or Brigitte Lin Ching-Hsia movie), even with one of the worst sub - titling jobs I have ever seen.
刀马旦——我的绝对最爱(不仅是最爱的香港电影、徐克作品、林青霞作品),尽管所配字幕实在是我见过最烂的。
Q. What「s the main difference between John Woo and Tsui Hark about their relations with actors?
那你觉得吴宇森和徐克与演员之间的关系最不同之处是什么?
Tsui Hark is a good director.
徐克是个非常好的导演。
Tsui Hark said. " ** this movie is a wish that has haunted me for 40 years.
拍这部电影是我的心愿,我想了有40年了。
Hong Kong」s Tsui Hark in the studio 「Liaozhaizhiyi」 in-depth understanding of their 「Nie Xiaoqian,」 an adaptation of a film 「Qiannvyouhun.」
香港徐克工作室本着对《聊斋志异》的深入了解,将其《聂小倩》一篇改编成电影《倩女幽魂》。
「I don「t worry about whether the young generation will accept and like the movie,」 Tsui Hark said.
「我并不担心年轻人是否会接受和喜欢这部电影,」徐克说。
Tsui Hark 」success in the past, greatly because his film did good at plot of story and portray of personage too.
徐克过去的成功,很大原因也缘于其电影在故事情节、人物刻画等方面的过人之处。
It is directed by Tsui Hark in a swirl of colors and non stop motion, but it also has an emotional center that draws you in like a vortex and never lets you go.
导演徐克使这部影片不仅具有绚丽的色彩和连续的动作,也同样具有一个十分吸引观众的情感中心。